The Secret Opera
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- In Domenico Cimarosa masterpiece, Il matrimonio segreto (The Secret Marriage), one of the highest achievements in comic opera and the work upon which his reputation rests. In 1793 he returned to Italy, where Il matrimonio segreto and many others of his works were enthusiastically received. New works of this period included Le.
- What is The Secret Opera, one well might ask? George Grella of New York Classical Review describes them as “ one of the small, imaginative opera companies rapidly proliferating in New York City. They are nimble, make the most of limited resources, and present talented singers and new works that are outside the physical and financial scope of the Metropolitan Opera.
The Secret Garden is an opera by Nolan Gasser with a libretto (based on the 1911 novel by Frances Hodgson Burnett) written by Carey Harrison. Commissioned by the San Francisco Opera and presented in partnership with Cal Performances, it premiered on March 1, 2013, at Zellerbach Hall at the University of California, Berkeley.
Roles[edit]
| Role | Voice type | Premiere cast, 1 March 2013 Conductor: Sara Jobin |
|---|---|---|
| Mary Lennox | soprano | Sarah Shafer |
| Colin Craven | a boy tenor | Michael Kepler Meo |
| Archibald Craven | baritone | Phillipe Sly |
| Dickon Sowerby | tenor | Scott Joiner |
| Martha Sowerby | mezzo-soprano | Laura Krumm |
| Mrs. Medlock | soprano | Erin Johnson |
| Ben Weatherstaff | baritone | Ao Li |
| Susan Sowerby | soprano | Marina Harris |
| Orchestra | San Francisco Opera Orchestra | |
| Direction | Jose Maria Condemi | |
| Visual design | Naomie Kremer | |
| Costume design | Kristi Johnson | |
| Lighting design | Christopher Maravich | |
| Musical preparation | Robert Mollicone, Sun Ha Yoon, John Churchwell, Sara Jobin | |
Critical reception[edit]
The opera received positive reviews from Joshua Kosman in the San Francisco Chronicle, Janos Gereben in The San Francisco Examiner and San Francisco Classical Voice, Stacy Trevenon at StageandCinema.com and others, with mixed reviews from the San Jose Mercury News and elsewhere.[1][2][3][4][5]
References[edit]
- ^Kosman, Joshua (3 March 2013) 'Secret Garden' review: Child's delight'The San Francisco Chronicle
- ^Gereben, Janos (5 March 2013) 'Secret Garden a hit with opera's young target audience'The San Francisco Examiner
- ^Crawford, Caroline (7 March 2013) 'Review: 'The Secret Garden' at Zellerbach Wins Thumbs Up'The Berkeley Patch
- ^Scheinin, Richard (3 March 2013) 'Review: San Francisco Opera's Secret Garden is a misfire'The San Jose Mercury News
- ^Trevenon, Stacy (7 March 2013) 'Bay Area Opera Review: The Secret Garden'Stage and Cinema
| The Secret | |
|---|---|
| Opera by Bedřich Smetana | |
| Native title | Tajemství |
| Librettist | Eliška Krásnohorská |
| Language | Czech |
| Premiere | 7 November 1878 |
The Secret (Czech: Tajemství) is a comic opera in three acts by Bedřich Smetana. The libretto was written by Eliška Krásnohorská. The premiere took place on 18 September 1878 at the Nové České Divadlo (New Czech Theatre) in Prague.
Background[edit]
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Krásnohorská proposed the idea for a new opera to Smetana two weeks after the opening of The Kiss, but kept details of the plot a secret from the composer until July 1877, when a draft outline, drawing on several sources, including Les femmes et le secret by La Fontaine, was sent to him.[1]The librettist had set the action in the small town of Bĕlá in the Bezdĕz mountains, visible from Smetana's home in the country. Fighting his increasing deafness and resultant depression, Smetana made a few small changes to Krásnohorská's original draft and delivered a full score to the New Czech Theatre on 4 August 1877, for the premiere in September.[1] The through composition evident in The Brandenburgers in Bohemia and Libuše is absent; a pot-pourri overture prefaces a sequence of choruses, duets, arias and ensemble pieces, but the characters are portrayed with more feeling and drawn from life, rather than the more stock characters of The Bartered Bride and The Two Widows.[1]
Performance history[edit]
The opera was not as successful as Smetana had hoped; after its opening run, it was seen only a dozen more times during his lifetime and was unperformed for twenty years after that. In 1922 it came back into the repertory of the Prague National Theatre.[1] It has been in the repertoire in the Czech capital ever since, under conductors such as Jaroslav Vogel, Václav Talich, Jaroslav Krombholc and Zdeněk Košler and many eminent Czech singers among the principals.[2]
The UK premiere was in Oxford in December 1956 under Jack Westrup,[3] and it was performed at the Camden Festival in 1972 under Vilém Tauský.[1]
Roles[edit]
| Role | Voice type | Premiere Cast, 18 September 1878[4] (Conductor: Adolf Čech) |
|---|---|---|
| Blaženka, Malina's daughter | soprano | Marie Zofie Sittová |
| Bonifác, veteran soldier | bass | František Mareš |
| Vít, a huntsman, Kalina's son | tenor | Antonín Vávra |
| Kalina, a councillor | baritone | Josef Lev |
| Panna Róza, Malina's sister | contralto | Betty Fibichová |
| Malina, a councillor | bass | Karel Cech |
| Skřivánek, a singer | tenor | Adolf Krössing |
| Jirka, a bell-ringer | tenor | Jan Sára |
| The Ghost of Barnabáš | bass | Ferdinand Koubek |
| An entrepreneur | baritone | Leopold Stopniockÿ |
| The innkeeper | soprano | Marzová |
| Chorus: Councillors, neighbours, boys and girls, threshers, bricklayers, shadows and apparitions, bagpipers. | ||
Synopsis[edit]
Twenty years before, Councillor Kalina had asked for the hand of Róza Malinova who turned him down because of his lack of wealth. Kalina then married a woman of similar status. Róza never married and regrets having rejected Kalina.
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Kalina has had a house built for himself across the town square from the Malinas’. He is now widowed but puts on a show of wealth. He is unaware that his son Vitek has fallen in love with the daughter of his rival councillor, the brother of Róza. Kalina discovers by chance an ancient document and map which contain directions from an old friar Barnabáš, how he might find treasure hidden under Mount Bezděz. As he is in debt, Kalina determines to take the prompts of the friar. However, the tunnel he digs leads him to underneath a room in the Malinas’ house, where his son has been making his farewells to his forbidden love Blaženka.
It becomes clear that the aim of the old Barnabáš was to make Kalina discover his ‘treasure’: his old love Róza. The opera ends happily, with a double wedding.
Recordings[edit]
- 1982, Zdeněk Košler conductor, Prague National Theatre Orchestra and Chorus; Jaroslav Horáček, Václav Zítek, Věra Soukupová, Daniela Šounová, Leo Marian Vodička, Karel Průša, Oldřich Spisar, Bohuslav Maršík, Eva Hlobilová, Alfréd Hampel, Pavel Horáček
- 1958, Jaroslav Krombholc conductor. Prague National Theatre Orchestra and Chorus. Karel Kalaš, Přemysl Kočí, Štěpánka Štěpánová, Štefa Petrová, Ivo Žídek /Supraphon
References[edit]
- Notes
- ^ abcdeLarge B. Smetana's 'The Secret'. Musical Times, May 1972, 452-4.
- ^Page for Tajemství at the archive of the National Theatre, with many photos accessed 29 November 2017.
- ^Desmond Shawe-Tayor. Amateur and School Performances · Oxford University Opera Club. The Secret (December 7). Opera, February 1957, Vol.8 No.2 p124-125.
- ^Casaglia, Gherardo (2005). 'Tajemství,18 September 1878'. L'Almanacco di Gherardo Casaglia (in Italian).
- Sources
- Warrack, John and West, Ewan, The Oxford Dictionary of Opera New York: OUP: 1992 ISBN0-19-869164-5