'You Know My Name' is the theme song of the 2006 James Bond film Casino Royale, performed by American musician Chris Cornell. Cornell wrote and produced it jointly with David Arnold, the soundtrack's composer.The film producers chose Cornell because they wanted a. The movie might have gotten mixed reviews but Burt Bacharach's soundtrack is outstanding! The theme song is catchy, very addictive and the perfect composition for a James Bond spoof. There are also many other good songs on the CD including 'Little French Boy,' 'The Venerable James Bond' and 'The Look of Love.'

• Rolling Stones Song From Casino
• Song From Casino Commercial
• Song From Casino Royale 1967
• Song From Casino Royale

Music in Casinos: What’s Popular

Music in casinos is primarily used to create a particular type of atmosphere or to maintain a mood. Specific forms of music can amplify players’ gambling behavior or provide them with a sense of comfort. Although popular music has changed over the last few decades, the popular casino music of today includes many genres that were prevalent back in the glory days of Vegas. Whether casinos use soundtracks or live bands, the intention is to create an ambiance that suits the specific casino and its clientele. That does not just apply to real-life casinos. Playing the right type of music is also essential for online casino games. Do you want to find out more about what music is popular in casinos? Then, read on.

Low-tempo Music

One of the most popular music genres associated with the good-old-days of Las Vegas in the 1950s and 1960s is lounge music, and it is still a popular choice in casinos around the world today. Lounge’s easy-going sound with subtle accents has a great appeal to casino-goers, as it provides a background sound that can induce peacefulness. That means it does not break the players’ concentration. In today’s world, lounge music is mostly-played at casinos in the daytime; when a more relaxing environment is required. It is not only lounge music that can create this feeling of tranquility, though. Any slow low-tempo music can induce a sense of calm in players. Other popular genres of slow-paced music played at casinos include blues and jazz, as well as melodic piano songs.

What music do online casinos use?

In a physical casino, players will play a wide variety of games in one-setting. Therefore, the music cannot accompany individual games in the same way as with online casino games. Most internet casinos provide a variety of games. For example, Casumo.com has nearly 2,000 different games, including table games, slot machines, and jackpot games. Each of these uses different types of music to go with the game in question. You may hear fast music for a frantic game, while a relaxed gameplay mode will usually have the accompaniment of a piece of music with a slower pulse or a lighter rhythm. A good piece of music for online games should not be overly-noticed by the players. Playing the wrong music with the wrong game will attract too much attention to it, which can result in players becoming irritated by the music. No casino or player wants that.

Fast-tempo Music

While low-tempo music is mostly-played in the daytime at casinos, the night-time experience usually requires more of a party atmosphere. Therefore, upbeat, fast-tempo music is ideal for playing at casinos in the evenings. Up-tempo music is full of energetic, celebratory sounds, which can create an exciting ambiance on the casino floor. Indeed, some studies show people’s gambling behavior becomes more intense when listening to fast-tempo music. Popular types of fast-tempo music played in casinos today tend to be techno or electronic music. Upbeat music like space-age pop, or rock and roll, is even used at some casinos. That is dependent on the overall theme of the casinos in question.

Live Music

Live music in casinos can attract more people who are passing by outside. By using high-profile bands and musicians in the casino bar, even more people will become attracted to entering. Both low-tempo and upbeat live music are popular choices for casinos. The choice depends on the vibe they want to create, the specific clientele of the casino, and the time of day the bands are playing. Popular favorites of music include jazz, blues, rock and roll, and even loud rock music. DJ sets are becoming more popular at casinos too. DJ sets tend to focus on fast-tempo techno and electronic music, as well as popular club tracks and mainstream songs.

Rolling Stones Song From Casino

Goodfellas Music from the Motion Picture is the soundtrack for the 1990 film Goodfellas, directed by Martin Scorsese, notable for its use of popular music from the various periods it portrayed. In a similar manner to American Graffiti and Scorsese's earlier Mean Streets, the songs served roughly the same purpose as a composed musical score. While an official soundtrack was released at the same time as the film, it only featured a small fraction of the songs used.

Scorsese chose the songs for Goodfellas only if they commented on the scene or the characters 'in an oblique way'.^[1] The only rule he adhered to with the soundtrack was to only use music which could have been heard at that time.^[2]

Scorsese decided that if a scene took place in the 1970s, he could use any song that was current or older. According to Scorsese, a lot of non-dialogue scenes were shot to playback. For example, he had 'Layla' playing on the set while shooting the scene where the dead bodies are discovered in the car and the meat-truck.^[2] Sometimes, the lyrics of songs were put between lines of dialogue to comment on the action.^[2]

Song From Casino Commercial

Some of the music Scorsese had written into the script while other songs he discovered during the editing phase.^[3] There is no music once Henry is arrested in his driveway by the DEA, until the end credits.

Track listing[edit]

Songs on the movie's soundtrack CD:

1. 'Rags to Riches' – Tony Bennett
2. 'Sincerely' – The Moonglows
3. 'Speedoo' – The Cadillacs
4. 'Stardust' – Billy Ward and His Dominoes
5. 'Look in My Eyes' – The Chantels
6. 'Life Is but a Dream' – The Harptones
7. 'Remember (Walking in the Sand)' – The Shangri-Las
8. 'Baby, I Love You' – Aretha Franklin
9. 'Beyond the Sea' – Bobby Darin
10. 'Sunshine of Your Love' – Cream
11. 'Mannish Boy' – Muddy Waters
12. 'Layla (Piano Exit)' – Derek and the Dominos

Complete song list[edit]

Songs used in the movie in chronological order:

• 'Rags to Riches' by Tony Bennett – Opening credits, opening narration.
• 'Can't We Be Sweethearts' by The Cleftones – Young Henry is parking Cadillacs; Henry gets whipped by his father.
• 'Hearts of Stone' by Otis Williams and the Charms – Henry's mailman is threatened.
• 'Sincerely' by The Moonglows – The wiseguy get-together (cookout) at Paulie's home.
• 'Firenze Sogna' by Giuseppe Di Stefano – New suit; Shooting victim (Wasting aprons).
• 'Speedoo' by The Cadillacs – Kid Henry, the sandwich boy; Jimmy Conway is first introduced.
• 'Parlami d'amore Mariu' by Giuseppe Di Stefano – Young Henry gets pinched for selling cigarettes.
• 'Stardust' by Billy Ward and His Dominoes – Idlewild Airport 1963; First appearance of the grown-up Henry Hill; Truck hijacking.
• 'This World We Love In (Il Cielo In Una Stanza)' by Mina – In the Bamboo Lounge; Mobsters are introduced; Air France heist is planned.
• 'Playboy' by The Marvelettes – Bamboo Lounge bust-out – Henry and Tommy burn the restaurant.
• 'It's Not for Me to Say' by Johnny Mathis – The double date; Karen is introduced, and ignored by Henry.
• 'Chariot' by Betty Curtis – Karen is stood-up, and loudly confronts Henry in the street.
• 'Then He Kissed Me' by The Crystals – Henry and Karen enter the Copacabana from the rear.
• 'Look in My Eyes' by The Chantels – The Air France heist; Paulie gets his cut.
• 'Roses Are Red' by Bobby Vinton – Henry and Karen at the beach resort; Receiving champagne from Bobby Vinton at the Copa.
• 'Life Is But a Dream' by The Harptones – Henry and Karen's wedding and reception.
• 'Leader of the Pack' by The Shangri-Las – The hostess party.
• 'Toot, Toot, Tootsie Goodbye' by Al Jolson (clip from The Jazz Singer) – NYPD detectives are searching the Hills' house.
• 'Happy Birthday to You' – Sung by family members at Little Jimmy's birthday party during Karen's narration – Mob life montage/no outsiders.
• 'Ain't That a Kick in the Head?' by Dean Martin – Narration continues – Mob life montage.
• 'He's Sure the Boy I Love' by The Crystals – Billy Batts is introduced at the Suite Lounge; 'Shinebox' insult.
• 'Atlantis' by Donovan – Billy Batts is beaten down and kicked by Tommy and Jimmy.
• 'Pretend You Don't See Her' by Jerry Vale – Friday night at the Copa with the girlfriends; Sunday dinner at Paulie's.
• 'Remember (Walking in the Sand)' by The Shangri-Las – Henry with Janice at the Suite before digging up Billy Batts's body.
• 'Baby I Love You' by Aretha Franklin – Janice Rossi's apartment; She shows her girlfriends around; Spider is introduced at a poker game.
• 'Firenze Sogna' by Giuseppe Di Stefano – (2nd time played) Another poker game; Tommy kills Spider.
• 'Beyond the Sea' by Bobby Darin – Prison life/dinner; Henry begins selling drugs.
• 'Boulevard of Broken Dreams' Performed by Tony Bennett – Dinner at Paulie's house after Henry is paroled.
• 'Gimme Shelter' by The Rolling Stones – Henry cutting cocaine at Sandy's place; Brings in Jimmy and Tommy at the parole office.
• 'Wives and Lovers' by Jack Jones – Karen shows off the new house/furniture to Belle; Morrie pitches the Lufthansa heist to Henry.
• 'Monkey Man' by The Rolling Stones – The babysitter, Lois Byrd (with baby) is introduced; Henry again at Sandy's place mixing the coke.
• 'Frosty the Snowman' by The Ronettes – Henry arrives at the Christmas party; Jimmy chews out Johnny Roastbeef for the Cadillac.
• 'Christmas (Baby Please Come Home)' by Darlene Love – Jimmy chews out Frankie Carbone for the mink; Morrie pesters Jimmy for his share of the Lufthansa heist.
• 'Bells of St. Marys' by Bob B. Soxx & the Blue Jeans – Henry Hill's Christmas tree; The execution of Stacks Edwards.
• 'Unchained Melody' by Vito and The Salutations – In the bar, Henry is worried about Stacks; Tommy thinks he's being 'made'; Morrie again pesters Jimmy.
• 'Danny Boy' – Morrie sings it to Henry, then to himself, as he leaves the bar after his failed attempt to talk to Jimmy.
• 'Sunshine of Your Love' by Cream – Jimmy contemplates killing Morrie and other members of his crew.
• 'Layla (Piano Exit)' by Derek and The Dominos – Dead bodies are being discovered all over the city; Tommy is executed.
• 'Jump into the Fire' by Harry Nilsson – The beginning of the 'May 11, 1980 – 6:55 AM' helicopter sequence; Delivering guns to Jimmy.
• 'Memo from Turner' by Mick Jagger – Henry leaves Jimmy's with the unwanted guns.
• 'Magic Bus' by The Who (Live at Leeds version) – Frantic, intoxicated driving; Henry almost has a car accident.
• 'Jump into the Fire' by Harry Nilsson – (2nd time played) Henry drives his brother home from the hospital; Starting dinner; More helicopters.
• 'Monkey Man' by The Rolling Stones – (2nd time played) More frantic driving; Henry and Karen hide the guns at Karen's mother's house.
• 'What Is Life' by George Harrison – More frantic driving; Pick up guns again; Visit to the cocaine connection; Call from Sandy; Call to Lois; Lois calls from an inside line.
• 'Mannish Boy' by Muddy Waters – Last time at Sandy's place, mixing the coke; Dinner at the Hill's with children, Lois, and brother Michael.
• 'Jump into the Fire' by Harry Nilsson – (3rd time played) The drum solo of the song is played immediately before Henry is arrested in his driveway.
• 'My Way' by Sid Vicious – End credits.
• 'Layla (Piano Exit)' by Derek and The Dominos – (2nd time played) second song in the end credits.

References[edit]

Song From Casino Royale 1967

1. ^Gilbert, Matthew (September 16, 1990). 'Scorsese Tackles the Mob'. Boston Globe.
2. ^ ^abcThompson, David; Ian Christie (1996). 'Scorsese on Scorsese'. Faber and Faber. pp. 150–161.
3. ^Kaplan, Jonah (2004). 'Getting Made: The Making of Goodfellas'. Goodfellas: Two-Disc Special Edition DVD. Warner Bros.

Song From Casino Royale